Week 8



Good afternoon.  Hope you are happy and well!



      Today we'll review a bit and leave most of class time to drafting the short essay report.  I will check whatever draft homework you've completed and give credit for it.  Last night and this morning I spent some time putting together a short essay with the required 3-5 primary and secondary sources, use of direct quotation, and in-text references and citations.  I am not requiring a Works Cited list as the MLA format usually does.  You must have multiple source examples to support and flesh out your observations, experiences, and opinions.  Expert testimonials, case examples, documentary evidence–all these may come into play.  Ideally, you can write the skeleton and then put more meat on it through sustained consideration and accumulated sources that speak to your point.  Below is the draft of my work, not quite 1200 words, which is at the lower limit (1250-1500 words required) of what is needed, but I have not yet even put a conclusion to the piece.  Remember, it's always good to let a work rest a while, as your mind will continue to process it and before lone you will see it in fresh ways and see clear to where it may need improvements or tweaks. Jump to the bottom of today's post for a thorough description of primary and secondary sources and other research guidelines with an example essay.

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                                         A Photo Riff on The Birth of Venus (source forgotten!)

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All Health Is Local

            At 8 p.m. this past Sunday, August 26, 2018, a large group of yoga practitioners, 60 or so individuals, gathered in the dark at Atlantic Boulevard where it dead ends at the sea in Pompano Beach, Fl.  The full moon session, hosted by a local entrepreneur whose studio is eponymously named Juliana’s Yoga, is a monthly event and free of charge.  I’d had it in mind to go, and the clear and breezy weather settled it.  No matter the yoga, I would stand in awe as the moon rose over the vast, dark expanse of the sea, casting brilliant, sparkling moonbeams from horizon to shore.  So I put some air in my bicycle tires and rode the little distance there, a spot where recent improvements by the city had made such gatherings doable, even comfortable. I found a place to lay my towel at the outer edge of the artificial lawn, but the sea and moonrise were obscured by a stand of sea grape trees, so I would later rise from time to time, leaving whatever posture, not wanting to miss the last full moon of the summer.
The instructor began by dutifully reminding the crowd to let go their single-most limiting belief and see themselves anew, whole and strong. It was a point she would reiterate at the end when all lay in corpse pose, relaxed and refreshed by the air, the gentle exercise, and local fellowship (though to be sure, some were on their phones already, albeit on their backs). I had come alone but most were in pairs or small groups, sharing in the excitement and serenity of the event’s unusual character: guided yoga under a full moon in front of the sea, laced with the intention and effort to feel more connected and strong in nature and among others.
I like to think Juliana’s class brings real benefit to the community and credit to her; she and all the people here and around the world who bring people together to empower and heal individuals and communities deserve thanks.  Yoga under a full moon is no hardship, of course, while there are legions of unpaid or poorly paid or simply overworked family members, caregivers, nurses, and doctors tending to the ill, the elderly, the addicted, depressed, the suicidal.  Still, I think what can unite people, no matter our individual situation, is the common sense of shared humanity and purpose, some compassion for our collective suffering, and a willingness to touch and be touched by the lives around us.  So I read and listen with interest to accounts of the entrepreneurs, chefs, artists, teachers, lawyers, bankers, and philanthropists investing in communities to solve the problems of child neglect and abuse, gun violence, lack of affordable housing, education and job training, exercise, recreation, healthy food and nature deficits.  The better we become at taking care of each other, in whatever ways we can, the better off we will all be.  As the research of the eminent primatologist and neurobiologist Robert Sapolksy has shown, the quality of our interpersonal relationships is the number one indicator of human health. Widening disparities of income tend to separate communities, creating an us and them mentality, with the rich invested in growing and protecting their riches (the upper 10 percent in the U.S.) the poor be damned. In “The 9.9 Percent Is the New Aristocracy,” Mathew Stewart reports the following:

          The Institute for Policy Studies calculated that, setting aside money invested in “durable goods” such as furniture and a family car, the median black family had net wealth of $1,700 in 2013, and the median Latino family had $2,000, compared with $116,800 for the median white family. A 2015 study in Boston found that the wealth of the median white family there was $247,500, while the wealth of the median African American family was $8. That is not a typo. That’s two grande cappuccinos. That and another 300,000 cups of coffee will get you into the 9.9 percent.  (theatlantic.com  June 2018)

 In spite of the widening income gap in the U.S., which makes it seem inevitable that the rich will continue to get richer at the expense of a growing underclass, people are finding ways to build real sources of community security, wealth, and health.  The 2018 summer AspenIdeas forum in Aspen, CO, hosted a presentation called "Deep Dive: Portrait of a Healthy Community" at which the guest speakers showed how change for the better happens.  I watched on youtube as Garth Graham, an African American man with the Aetna Foundation, described being galvanized as a teenager into an awareness of social injustice when he was knocked unconscious by a police officer during a game of street ball.  He never saw it coming and never got an explanation.  His mother’s advice, “Don’t let them take your power away,” continues to motivate his work with the poor in Boston. He identifies healthy food, safe outdoor spaces, biking and walking access, and education as keys to community health. 
Davita Davison, another of the presenters, is the executive director of a for-profit group called Food Lab Detroit that is helping to transform the food wasteland of Detroit, MI, into a unique place of thriving food gardens and farms and related businesses and projects. She spoke with moving passion and pride of what the group’s members have accomplished in a city hard hit by industrial decline, long-standing racial divisions and poor administration. She calls Detroit a “powerhouse of urban agriculture” whose food sources will “one day be entirely community based”; fostering community through food is her aim and commitment. She describes the motivation of Detroit’s 700,000 people (down from 2 million in the 1950s, 84 percent of whom are African American), many of whom had been virtually abandoned, with basic services such as electricity and garbage collection halted, as the city declined over the decades following the restructure of the automotive industry (Detroit was home to Ford, General Motors, and Chrysler). The city became a food desert when all the large supermarket chains pulled out, leaving only fast food and convenience store outlets.  (Deep Dive: Portrait of a Healthy Community youtube.com) Political corruption, high property taxes, racial divisions, and falling revenues led in 2013 to the city’s bankruptcy. Today the Motor City, home to Motown Records, remains in a state of decline with here and there progress and revitalization owing, in part, to people like her who have worked to transform vacant lots into farms and gardens, growing and distributing produce and fostering the careers of self-taught chefs and bakers and restaurateurs. The mission statement on the homepage of one of Detroit’s non-profit urban farming initiatives reads as follows: We hope to empower urban communities by using agriculture as a platform to promote education, sustainability, and community while simultaneously reducing socioeconomic disparity” (Michigan Urban Farming Initiative  mufi.org).

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Field Trip and Report:  Today I'll have you sign release forms and talk logistics of week 10 and 11, providing you all want to do the field trip to the NSU Museum.  If you do not, I will have to provide an alternate in-class experience.  We must also discuss the matter of food or potluck provisions (healthy ones!) for week 11, after which you will discuss with the class your research "discoveries" or insights into matters of health and wellbeing.

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 Research and Short Reports

    Research begins with a subject focus and proceeds by study of the sources that shed light on the subject. Research sources are typically categorized as primary or secondary.  The following URL provides a description of the distinctions made between the two:  http://primarysources.yale.edu/find-discover

  Those sources that help the writer to "prove" or advance the thesis point are essential.  You as author must become something of an expert in your particular line of inquiry by studying your sources. Whatever the purpose and scope of your essay or report, you will draw upon the "truths" of your sources to help you make your point(s).

In looking at any composition, ask:  Why was it written?  In what context(s) must it be understood?  To what issues does it speak, what human interests and concerns?  What further research might the work invite?   We will discuss in class the context of publication and  topical links.  Essay assignment #4 is to be a short essay that synthesizes material from several different source articles or artifacts that are topically linked.

In research reports, each source must be clearly referenced in text by title and author or publication site if no author is named.  The Modern Language Association publishes guidelines for writing in the humanities which we will follow. These include what are called in-text citations and a Works Cited list.  We will look at the format further in weeks to come, but for now let me make a few points about the business of gathering information, which, naturally, is how we become informed.

Whatever the topic– literary, political, environmental, economic–our first understandings often arise through personal experience and/or casual exposure.   We may have learned something of WWII from our grandparents, who lived through it and have told us stories, for example.  We may have served in the military and thus have direct insight into the impact of war on individuals and society.  We may have read novels, histories, watched documentary films, or listened to the testimonials of those who have born witness to war.  We may read the daily news reports of wars near and far.  We may have visited the great battlefields of Gettysburg or elsewhere.  And we may have formed certain conclusions, however tentative, about the nature of war and its historical use by governments in pursuit of whatever aims. So we may have a store of experience and information that informs our attitudes.  Yet we may never have put together an essay that provides the telling examples, personal voices, eye witness accounts, and expert opinions that provide the persuasive account of why we feel as we do. In fact we may never have gathered it all together for synthesis and analysis.  But that's what we do when we research a matter or issue.

We may use dictionaries to help us define words and terms that may be unfamiliar, encyclopedias to get concise facts and history, and the news media to learn of events large and small and the range of popular and expert opinion on a given matter.   We may include the artists whose works give us imaginative insight, and the personal stories that come to us by so many means.  What have the many who have weighed in on any subject had to say?   Expository essays are built on writing that is informative, based on the most credible and recent information, with the express purpose of conveying to readers a clear understanding of the issue or matter. There may be a personal story or basis to the writing, but reference to the work or ideas of others is necessary, in the form of description, summary, paraphrase and direct quotation, synthesis, and logical analysis. You as author control the material and remain the dominant voice throughout.  It is your thesis idea, your conclusion that unifies and drives the development and choice of sources used in support.
        An essay on some aspect of culture and society today, for example, would necessarily be informed by the writer's particular knowledge of the subject, which comes from familiarity with the literature and artifacts of that aspect of culture and society.  You might, for example, watch a film (a primary source), and then record your responses, questions that arise, evaluations of the actors, the plot, script, cinematography, etcetera.  You read everything you can find about the making of this film.   You review what has been written or broadcast by others about the film (secondary sources).  Finally, you write a piece that incorporates important aspects of the film's creation, aspects of its cultural importance, the critical responses of film experts or credible reviewers, and of course your own thoughts and conclusions on whatever you have deemed the most important focus in writing about the film. 
    Addressing current events and topics in the media allows you to tap the interest of readers who want to stay current and well-informed, and allows you to enter and shape the discussion as one who is well-informed and has something to add to the discussion, be it only your opinion. It is critical that you identify the various sources you have used for content by author and/or title of work and that the source information be tied to the content borrowed. 




Below is an example short report assignment. It begins with a story about a cat that made a 200-mile journey home after getting lost, and proceeds to integrate other cat news/reports then current. The report did not require use of an anchoring image, though there were many that might have served, if only to embellish, including the one of my cat Ruby, posted below.  You will want to indicate where the image has been published and the various sources that allow you to put it into context or explain its history and significance.



Sample Short Report:


Cats on the Loose:  A Problem in Need of a Solution

For all the cat lovers who read the article by Pam Belluck titled “A Cat’s 200-Mile Trek Leaves Scientists Guessing” (nytimes.com, January 19, 2013) it is perhaps comforting to learn that domestic cats have an as yet little-understood ability to navigate home over long distances.  Holly, a four-year-old house cat, got lost on a family outing to Daytona Beach, Fla., and over the next two months walked to within a mile of her owner’s home in West Palm Beach, Fla.  Fortunately, she was wearing a microchip that allowed rescuers to reunite her with her owners.  Holly’s thinness and bleeding paws attested to the hardships of her journey and that she was lucky to survive. Scientists do not know how cats navigate over long distances.  Writes Belluck, “There is in fact little scientific dogma on cat navigation. Migratory animals like birds, turtles and insects have been studied more closely, and use magnetic fields, olfactory cues, or orientation by the sun.”
But in other, less heart-warming reports, we have a joint study by the University of Georgia and National Geographic Society called “Kitty Cams” that confirms that cats given the freedom to roam often expose themselves to significant harm and pose significant threats to small mammals, reptiles, and birds living in the wild.  The Kitty Cams study estimates that domestic cats may kill as many as half a billion birds or more and several billion small mammals each year.  Another report by scientists with the Smithsonian Conservation Biology Institute raised alarms worldwide in contending that “un-owned and owned free-ranging domestic cats kill between 1.4 and 3.7 billion birds and between 6.9 and 20.7 billion small mammals each year in the contiguous United States” (“Feral and Free-Ranging Pet Cats Kill Far More Birds in the Continental United States Than Previously Believed, Smithsonian Study Finds”).  The study indicates, moreover, that “it is un-owned cats—such as farm and barn cats, strays, colony cats, and feral cats—that cause the majority of the mortality, roughly 69 percent of bird deaths and 89 percent of mammal deaths.”  Scientists have concluded that cats represent a greater mortality threat to wild birds, whose numbers are declining, than other threats often cited such as environmental toxins, bridges, skyscrapers, and towers.
The reports of cat predation are being challenged by cat welfare advocates who see a threat to feral cat populations (Alley Cat Allies “Tell the Smithsonian: Stop Spreading Junk Science That Will Kill Cats!”).  Neuter and spay programs have been very effective at reducing the number of stray and feral cats, and the number of cats being euthanized, but the population problem persists.  The large numbers of colonies of feral cats, even those fed and cared for by volunteers, pose a risk to wildlife that many authorities see as untenable.  Debate centers on how to effectively reduce the number of stray and feral cats and thus conserve and protect important wildlife species (Mott “U.S. Faces Growing Feral Cat Problem”).
            As the owner of a cat that relishes the hunt, and succeeds far too often, I have concluded that my Ruby, an ordinary black short-haired domestic cat, will have to stay indoors far more often than she would like, for her own safety and that of the wild creatures that live in or visit my neighborhood.


Eye-Witness Reports/Field Reports

  Reviews and descriptions of cultural fare–of nature parks, historical attractions, art exhibits and fairs, live music shows, restaurants, bars, and clubs old and new, sporting events, lectures, book signings and discussions, community classes and workshops –serve to inform people of what's going on about town and provide them incentive to get out and experience some of what the area has to offer.    In this assignment you are to report on a local place or event from an eye-witness perspective–you must go there, experience whatever is on offer, and write about it in such a way that readers feel they have gotten to see and know the place through your first-hand experience of it.
     The particular focus and perspective you bring to your subject, your knowledge and ideas and observations of it, and the degree of interest and engagement with the subject you show–these are central to the essay’s success.  Whether you visit a park, a beach, a museum, theater, restaurant, yoga studio, even a cemetery (we have a delightful one nearby that is a birder's mecca), etcetera–descriptions of the scene or environs, the activity, the individual artworks, performances, ambiance, food, service, et cetera will bring the piece to life and convey a you-are-there sensation to readers.  Your readers will be relying on your knowledge, powers of observation and storytelling abilities.    Your informed judgment, taste, and opinions will be important elements of the work. The thesis idea will reflect the material emphases of the work.  
    The eye-witness report is primary research.  You may find you want background reading, secondary sources, on whatever aspects of your subject require context to fully develop your thesis or main ideas.  To repeat, this essay will require you actually go somewhere in person and record material facts and observations before putting the piece together.  Your thesis tells you what to include, to emphasize, and what to ignore.  The essay should run a minimum of 5oo-6oo words, including introductory, body, and closing paragraphs, and title.

          Remember the who, what, where, when, why roster of specifics.

    Read the following article about a favorite getaway destination of Swedes and as you do notice how the author includes specifics of place, his personal journey, and the cultural context of Gotland. This is the form you want to model, however near and familiar your focus destination.  You will be a personal guide to your readers, revealing a place in all its particular appeal:

   








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